Penelope is outside her bedroom door Penelope: It's not me, Ted you have to believe me! Virginia: She's right, Ted, it's me! Can't you handle a little wisecrack? Virginia: You call that a fuck? ( Suddenly, Penelope Pittman (Candace Rialson) gets up) Ted: What? Suddenly, we hear a sparkling noise, and then.
Chatterbox movie skin#
Nothing sexier than a Seventies love scene with skin and film grain!
Chatterbox movie movie#
Snob (VO): Chatterbox was distributed by our old friends Vestron Video, one of the first companies to release ( Vestron box art for.) Cali gula on VHS, so you know they have standards! ( The opening titles start with a zoom-out from a cartoon of a woman flashing her rear after that, "Chatterbox" writes itself) The hell? The fuck is this logo about? They trying to tell me that this movie is ass? You don't have to tell me that, I'm already assuming it! And what the fuck is with this Fifties infomercial music? ( Some of the opening theme plays) It sounds like any minute now, it's gonna try to sell me a stove for my wife! ( Cut to the opening sex scene) We're off to a great start so far. Snob: Let me guess, it's about some woman that won't shut up? If I want that, I'll just watch Kristen Wiig! Snob (VO): Ah, okay, how about this? Chatterbox! Sounds about as entertaining as a brick! So I'll just pick something at random! Doesn't have to be anything with a striking title or anything, just. Truly, a one of a kind, in just about every way.The Cinema Snob: Well, coming off of Sasquatch porn, I really don't know what to do. To my surprise, some of the musical numbers were written by none other than Neil Sedaka, and if the film looks pretty decent, that may be down to the presence of cinematographer Tak Fujimoto, who would go on to shoot rather more salubrious pictures, like Silence of the Lambs and Signs. The film is actually remarkably chaste given its subject matter: we never get to see the loquacious cooch at all, and nor was I able to find any trace who did the voice work either.
Chatterbox movie tv#
The central premise – or, at least, less the talking twat, than it getting copious TV appearances – is probably more plausible now, with the general moral collapse of network television. It is, however, a pretty close call, helped by a fairly winning performance from Rialson, who does “embarrassed” extremely well, with something of a similarity to the young Goldie Hawn.
It is, very obviously, a one-joke film, but that one joke proves to have just about sufficient mileage in it, to get this through its 72-minute running time, before the novelty of it wears off entirely. Comedian Rip Taylor shows up as her boss at the hair-salon, for no readily apparent purpose. The problems are plentiful, such as Virginia commenting acerbicly on the proweaa, or lack thereof, of her boyfriend Ted (Bullington). This is to the horror of Penelope, who is a shy, retiring type, in total contrast to the outrageous and sex-mad antic of “Virginia,” as her chatty catty is known. Not only that, but it appears to have a fondness for show-tunes, belting out Old Folks at Home during an American Medical Association symposium and them embarking on a showbiz career organized by Pittman’s psychiatrist/manager, Dr. It’a about hairdresser Penelope Pittman (Rialson), whose vagina suddenly starts taking, having apparently developed a mind of its own. Well before that, he made this adult comedy which allowed him to move out of porn, and into the (relatively) up-market world of horror and sleaze. I’ve always had a fondness for DeSimone, considering he directed the all-time trash classic, Reform School Girls. Star: Candice Rialson, Larry Gelman, Jane Kean, Perry Bullington
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